Allure Tumbled 2x2 Marble Mosaic 12"x12"x3/8"
Color & Finish Options:
Size or Shape Options:
Price Tier:
- * Est. coverage: 1 sqft / per piece• 6 sqft / per box
Product Specifications
About The Tile:
With Allure Tumbled 2x2 Marble Mosaic you can make any room look perfect and pristine.
Marble is a material that has been used by the rich and powerful for centuries. The ancients, like Egypt's Pharaohs had marble in their tombs to show off how much they could afford. If you're looking for exclusivity then Marble Mosaics might be just what your home needs. Marble offers many decorating options, which can help you achieve that luxurious feel at home without the hefty price tag.
The aged surface of Allure Tumbled 2x2 Marble Mosaic will add an artistic feel to your space. Mix and match from a variety of flooring options such as wall tiles, mosaic tiles or floor tiles for your one-of-a-kind creation today!
You may be looking for a way to spruce up your living room or business space but don\'t know where to start. Mosaic floor tiles are an easy, affordable solution that can bring out the beauty of any area and is versatile enough to work in even small areas like bathrooms! The size of this product 12x12 x 3/8. You can use the site search to find a different size of this product – we've got it all!.
What we love:
- Every single piece is unique
- Classic timeless beauty
- Wears well with time
- Hypoallergenic, does not trap dust or allergens
- Aesthetic appeal, create a sense of luxury and sophistication
- Unique patterns and features that adds drama and interest to the design
- Variety, wide range of colors, textures, and types available, that could fit any design vision
- Custom sizes and complimentary pieces may be available for steps, risers, vanity top, and countertop
Please Consider:
- All natural stone has variation. No two pieces are alike
- Blend and dry set before installation
- Must be sealed periodically
- We recommend premium white thin set
- We recommend waterproofing sub floor
- Essential to consider the specific type of natural stone and it's suitability for the intended use
- Natural stone tiles do require proper care and sealing
- Color and pattern inherently variable, with variations in color, veining and texture, understand and appreciate these natural variations and make sure they align with your design vision
- Finish, select a finish that suits both your design intent and functional needs
- Substrate prep
- Adhesive selection
- Tile layout and dry set
- Tile spacing
- Professional installation
Interior Floors - Low Traffic
Interior Floors - High Traffic
Shower Floors
Shower Walls
Interior Walls
Exterior Walls
Exterior Floors
Commercial Interior Floors
Commercial Interior Walls
Suitable.
Please consult with your sales rep.
- Usage recommendation must be confirmed by your installer and depends on application, installation methods and general suitability. Country Floors assumes no liability from any installation and usage recommendations.
Width
12"
Lenght
12"
Thickness
3/8"
Weight
5 lb / per pcs
Coverage
1 sqft / per pcs
Get the most out of your Marble Systems product by following these helpful instructions for installing floor tile. A Few Dos & Don’ts
- Tile may be installed over most structurally sound substrates if they are clean, smooth, dry and free of wax, soap scum and grease and other debris.
- Carefully read and follow all instructions and precautions on the adhesive or mortar package. Mix only enough to be used within 30 minutes.
- Since variation of shades is an inherent characteristic of ceramic tile, mix tiles from several cartons as you set, for a blended effect.
- Order extra material for cuts, spare tiles, and waste.
- If material is face taped, remove tape after installation.
- Be sure to calculate exact tile needed for your surface before installation.
- If you are short of material do not start installation until you have all the tile that blends. Additional shipments may not match the tile from previous shipment.
- If you do order additional tile for an older job be sure to match color lots before installation.
Step 1: Surface Preparation
Tile may be installed over most structurally sound substrates, if they are clean, smooth, dry and free of wax, soap scum and grease. Any damaged, loose or uneven areas must be repaired, patched and leveled. Remove any moldings, trim, appliances, etc., which could interfere with installation. Door jambs may be undercut for tile to slip under. We recommend waterproofing most floors to prevent surface seeping.
Step 2: Layout
Begin by marking the center point of all four walls. Snap chalk lines between the center points of opposite walls, which will intersect at the center of room. Make sure they›re perfectly square, and adjust if necessary. Next, lay out a row of loose tiles along the center lines in both directions, leaving spaces for uniform joints (use tile spacers). If this layout leaves cuts smaller than 1/2 tile at walls, adjust the center line by snapping a new line 1/2 tile closer to the wall. Repeat along other center line if necessary. Now divide the room into smaller grids (approx. 2' x 3') by snapping additional lines parallel to center lines.
Step 3: Applying Adhesive
Select the right adhesive for the substrate you're using. Carefully read and follow all instructions and precautions on the adhesive or mortar package. Mix only enough to be used within 30 minutes. Using the type of trowel recommended on the adhesive package spread a 1/4" coat on the surface of one grid area, using the flat side of the trowel. Do not cover guidelines. Next, use the notched side of trowel to comb adhesive into standing ridges by holding trowel at a 45-degree angle. Then remove excess adhesive, leaving a uniform, ridged setting bed. Don't spread a larger area than can be set in 15 minutes.
We recommend using white good quality thin set such as Mapei, Laticrete, or Ardex.
Some black marbles, white marbles, dolomites, and green marbles may have to be installed with Moisture sensitive thin set. Please check with the manufacturer.
Step 4: Cutting Tile
Carefully measure tiles to be cut and mark with a pencil or felt-tip pen. Make straight or diagonal cuts with a tile cutter, curved cuts with a nipper (chipping away small pieces for best results) and full-length curved cuts with a rod saw. Sharp-cut edges may be smoothed with a carborundum stone.
Step 5: Setting Tile
Variation of shades is an inherent characteristic of marble, stone and ceramic tile – mix tiles from several cartons as you set, for a blended effect. Begin installing tiles in the center of the room, one grid at a time. Finish each grid before moving to the next. Start with the first tile in the corner of the grid and work outward. Set tiles one at a time using a slight twisting motion. Don't slide tiles into place. Insert tile spacers as each tile is set, or leave equal joints between tiles. Fit perimeter tiles in each grid last, leaving 1/4" gap between tile and wall. Any rectangle porcelain should never be set in a running bond pattern, rather no more than a 1/3 overlap; the joint should be widened to 3/16" and use of a large unit porcelain mortar should be employed. When grid is completely installed, tap in all tiles with a rubber mallet or hammer and wood block to ensure a good bond and level plane. Remove excess adhesive from joints with a putty knife and from tile with a damp sponge. Do not walk on tiles until they are set (usually in 24 hours).
Step 6: Grouting Joints
Generally, you should wait about 24 hours before grouting (refer to the adhesive package for specifics). Carefully read and follow all instructions and precautions on the grout package. Make only enough to use in about 30 minutes. Remove tile spacers and spread grout on the tile surface, forcing down into joints with a rubber grout float or squeegee. Tilt the float at a 45-degree angle. Remove excess grout from surface immediately with the edge of float. Tilt it at a 90-degree angle and scrape it diagonally across tiles. Wait 15-20 minutes for grout to set slightly, then use a damp sponge to clean grout residue from surface and smooth the grout joints. Rinse sponge frequently and change water as needed. Let dry until grout is hard and haze forms on tile surface, then polish with a soft cloth. Rinse again with sponge and clean water if necessary. Wait 72 hours for heavy use. Don't apply sealers or polishes for three weeks, and then only in accordance with manufacturer's recommendations.
For travertine tiles, materials with holes, aqua forte etc. use a grout release before grouting. You can also a sealer before grouting. This will help you clean the grout easier.
MARBLE SYSTEMS AND ITS AFFILIATES ARE NOT RESPONSIBLE FOR ANY CLAIMS AS A RESULT OF THESE SUGGESTIONS. YOU MUST USE A PROFESSIONAL MARBLE INSTALLER AND PREMIUM SETTING MATERIALS.
The History of Delft
In the 17th century, Dutch potters in the city of Delft set out to answer the imported blue-and-white porcelain arriving from China. Working in tin-glazed earthenware, they painted cobalt motifs onto a bright white ground (florals, figures, landscapes, and the small corner ornaments that let tiles join into endless repeating fields across a wall.)
What began as imitation became a tradition of its own, and the hand-painted blue-and-white of Delft spread outward, echoing through Portuguese azulejos, Italian maiolica, and the tiled kitchens and courtyards of the Mediterranean.
Our Delft collection draws on that whole lineage: the brushwork, the corner-motif system, and the idea that a tile can be a small, painted thing made by a person, not a machine.
Why We Love Delft Tile
We keep returning to Delft because it does so much with so little. A single corner motif, repeated, turns a plain wall into a quiet diamond lattice; the same tile used sparingly becomes a discovered detail.
The palette is restrained enough to live with for years yet expressive enough to carry a room, cobalt for the classic note, soft green for something gentler and more unexpected.
Because the motifs sit in the corners, the tiles are built to connect: every piece is part of a system you control. It is decorative without shouting, historic without feeling heavy, and endlessly composable which is exactly why designers reach for it again and again.
Complete the Room: Terracotta Below, Delft Above
There's a reason this pairing keeps appearing in the most quietly beautiful Mediterranean rooms. Warm terracotta underfoot, hand-painted Delft climbing the wall above (earth and brushwork, floor and field, the two oldest gestures in southern European interiors.)
The terracotta tile brings heat and grounding; the Delft brings light and detail. Together they make a room feel as though it was assembled slowly, over years, by someone with an eye.
Start there, then let the rest of the room gather around it.
Where Marble Becomes Movement
There is a difference between a surface that simply covers a room and a surface that gives the room architecture.
Fluted natural stone does the second. Its carved ridges create a steady rhythm of light and shadow, while the marble or stone beneath adds veining, softness, and natural variation.
The result is quiet but never flat (a material that feels both ancient and completely current.)
Why We Love Fluted Tiles
We love fluted stone because it makes texture feel refined. The grooves catch light, the ridges create movement, and the natural stone keeps every installation from feeling too perfect or too manufactured.
It is a detail designers reach for when a room needs depth, but not noise (drama, but not decoration for its own sake.)
What Makes This Tile Worth It
This is real stone, carved, not a flat tile with a pattern printed on it. The value lives in the material itself and in what the carving does with it.
Dimensional grooves give the wall genuine relief, so it reads as architecture rather than finish. Light becomes part of the design: the surface shifts through the day, warm and graphic at a low angle, soft and even at noon.
Because it is natural stone, every piece carries its own veining and tone, so an installation never looks mechanical. It brings presence to a simple room without adding busy pattern (one decision that does the work of many.)
The Story Behind The Palazzo
Walk the back lanes of Rome and you'll feel it underfoot before you see it.
Stone polished by five hundred years of footsteps, fractured and refilled by season after season, each block holding a slightly different shade, a different scar, a different story.
Nothing matches. Everything belongs.Palazzo Li Antica was born from that feeling. Inspired by antique Mediterranean palazzos, sun-bleached courtyards, and the timeworn streets of old Europe, each tile is finished through a careful antiquing process that gives it the texture and soul of centuries-old stone.
Why We Love Palazzo Li Antica
Old-World Soul:The antiqued finish captures the grace of weathered European stone, bringing genuine age and atmosphere to modern interiors.
No Two Alike: Surface variation, tonal shifts, and worn edges mean every tile is singular. Your floor will never exist anywhere else.
Architectural Patina: Cracks, texture, and timeworn character give walls and floors the depth that designers spend years trying to fake.
Built for Romance: This is stone that pairs effortlessly with limewash, linen, and candlelight.
Earned Beauty: Imperfection here reads as authenticity. It's the difference between a costume and the real thing.
A Note on Handmade & Antiqued Character
Palazzo Li Antica is a hand-finished, antiqued collection.
As with any artisanal material, visual variation from tile to tile is expected and intended (it is the signature of the craft, not a flaw in it.) We share this transparently so you know exactly what you're choosing.
Because the aged aesthetic is intentional, what one person might describe as "distressed" or "imperfect," another will recognize as authentic, characterful, and beautifully old-world.
This is by design. The antiquing process is what gives these tiles the feeling of 500-year-old Roman streets: imperfect, architectural, and full of history.
A perfectly uniform tile could never carry this character. The variation is the craftsmanship.
The Story Behind The Evora
There is a particular kind of beauty in Portugal's tiled streets, the way pattern repeats across a façade, the way terracotta holds the warmth of the afternoon long after the sun has moved on.
The Evora Collection was drawn from that world: the azulejo tradition, the patterned courtyards of the Alentejo, and the handcrafted ceramic culture that has shaped Iberian architecture for centuries.
Named for the historic walled city of Évora, this collection translates that heritage into terracotta (a material as old as Mediterranean building itself. The detailed patterns aren't decoration applied as an afterthought; they're the heart of each tile, designed to layer rhythm and artistry across a surface the way generations of artisans once did by hand.
The result feels collected over time rather than ordered from a catalog: warm, soulful, and unmistakably rooted in place.
Why We Love Evora
Pattern with a pulse. Each tile carries detail that gives walls and floors movement and life, never flat or anonymous.
Terracotta warmth. The earthen body brings a natural, sun-baked glow that synthetic surfaces simply can't imitate.
Authentic character. Subtle tonal shifts and handmade-look texture give every installation a one-of-a-kind quality.
Endlessly versatile. Equally at home as a statement floor, an intimate backsplash, or a decorative accent.
Timeless, not trendy. Grounded in Portuguese design heritage, it belongs to a space for decades (not a season.)
The Art of Patterned Glazed Terracotta
A single tile is quiet. Repeated across a surface, the Evora pattern becomes something else entirely a rhythm that carries the eye, a texture that catches light, a sense of intention in every square foot.
This is what patterned terracotta does best: it transforms an ordinary plane into a composition.
Laid across an entryway floor, the pattern reads like an antique rug worn smooth by footsteps.
Set behind a range, it becomes a painterly backdrop. Wrapped around a powder room, it makes a small space feel deliberate and richly considered. The geometry does the work that art does (giving a room focus, character, and a story worth pausing over.)
The Story Behind Antiqued Mallorca
Long before they became tile, these patterns lived in cloth.
The Lenguas Mallorquinas: the "tongues of Mallorca" are among the most recognizable woven fabrics of the Mediterranean.
Their distinctive blurred, flame-like motifs were crafted by Spanish textile weavers and refined by French artisans from the mid-1800s onward, using a painstaking dye-resist technique that gave each length of fabric its signature softness and movement.
Hung in island villas and draped across sun-warmed rooms, these textiles became part of the visual language of Mallorca itself.The Antiqued Mallorca Collection is our tribute to that heritage.
Rather than copy the cloth, we reinterpret its spirit (the rhythm of the weave, the gentle imperfection of hand-dyed pattern, the way color seems to fade and pool.)
Rendered on our own terracotta, the collection brings the warmth of woven fabric into architecture, where it can live on a wall for generations the way the original textiles lived in island homes.
Why We Love Antiqued Mallorca
Drawn from real textile heritage. Not a trend, a pattern language rooted in 19th-century Mediterranean weaving.
Six patterns, one mood. Each design stands alone or layers together, unified by the same faded, sun-washed palette.
Color that whispers. Warm beige, sand, and taupe meet faded blush and cool indigo for pattern that never overwhelms a room.
Terracotta warmth. A natural clay body brings depth and character no porcelain can imitate.
Imperfect on purpose. Soft irregularity and surface movement give every wall a handmade, collected-over-time feel.
Material Character
Every tile in the collection is produced on Country Floors' own 6" × 6" terracotta, a base chosen for its honesty and warmth.
Terracotta is one of the oldest architectural materials in the Mediterranean, and its appeal is elemental: a natural clay body with subtle tonal shifts and a grounded, earthen warmth.
Here, that body is finished with a white glaze that carries the pattern, while the exposed terracotta along each edge reveals the raw material beneath, a quiet reminder that this is real fired clay, not a printed imitation.
The handcrafted feel is part of the design: slight movement in the surface, gentle variation tile to tile, and the kind of tactile depth that only natural materials provide.
A Piece Inspired by Sculptures: Inspiration Behind Stone Sinks
In the workshops of Pietrasanta, at the foot of the Apuan Alps, stone has been shaped by hand for over two thousand years. Now, sculptural stories are taking place in your bathroom, with the unique fingerprints of the Mediterranean.
Every block that arrives here carries a different history, some pressed into marble deep within the mountain, others formed slowly, mineral by mineral, around ancient springs. Different origins, the same patience and process: millions of years before a single tool ever touched them.
Once the natural stone reaches the atelier, the process doesn't change. A stonecutter doesn't impose a shape onto the block; it’s not a forced carving. The stonecutter studies it, turns it, waits to see the form already waiting inside. The chisel simply reveals the soul of the stone in the shape of a sink, vessel, pedestal, or any other form.
Every natural stone sink in this collection began this way, carved through its soul. Not drawn on a screen, not molded to a standard. Carved, by hand, until what remained was no longer raw material, but something closer to sculpture that happens to hold water.
Why You Should Choose Natural Stone Sinks?
Sculpture First: These pieces were never designed to look like an average sink design. Each one is carved the way a sculptor works, led by the stone's own veining, its own density, its own resistance to the chisel.
A Mountain's Signature: Natural stone carries its own map. The veining, tone, mineral movement, shaped over millions of years before it reached the workshop, that it’ll reflect its soul in a new form. No two blocks of natural stone are identical, so no two sinks are either.
Belongs Everywhere, Any Interior Design: A sculpture doesn't match a room; a room arranges itself around it. This is why the same piece feels at home in a sun bleached farmhouse and equally at home against blackened steel and concrete. It was never made to follow an interior design style. Choose the stone you love, and it will adapt to however your style evolves over the years.
Touched, Not Just Seen: Run a hand across the surface and feel what stonecutters have felt for centuries; cool, dense, quietly alive stone, not a fabricated basin pretending to be natural.
From Mediterranean Mountains to Your Project
Every piece in this collection is carved from natural stone, and as with any material shaped by geology rather than a factory, visual variation from piece to piece is expected and intended. This isn't a flaw; that’s what makes natural stone sinks special.
